Chaos in 3D


2012

3D in-camera multiple exposures on film. For the full effect, view images with red/cyan anaglyph glasses. These images were created during the Spirit Level V workshop with Arno Rafael Minkkinen and Sally Mann.

A 3D image is made from two photographs combined into one. Each is taken from a slightly different position, roughly 2.5 inches apart (about the distance between human eyes). This mimics the way our eyes work together, each seeing a slightly different perspective of the same scene.

There are different methods for creating 3D images. Here I'm using the red/cyan anaglyph method. One image is shifted toward red tones, the other toward cyan, and the two are layered together slightly offset.

When viewed with red/cyan glasses, each lens filters part of the image, so each eye sees only one version of the image (red or cyan). The brain combines these into a single image with depth.

The sense of depth doesn't exist in the image itself. It only exists when the viewer’s brain combines the two perspectives. Without you, dear viewer, my work is incomplete.

Each of these final images is composed of four exposures layered onto the same frame: two images for the 3D effect, each one made as a double exposure.

3D image with separate cyan and magenta layers that shows a multiple exposure image of a woman touching one hand lightly to her chin, surrounded by leaves. 3D image with separate cyan and magenta layers that shows a multiple exposure image of a woman staring into the camera, with pine needles and grass in the background. 3D image with separate cyan and magenta layers that shows a multiple exposure image of the bottom half of a woman's face inside a hollow tree trunk. 3D image with separate cyan and magenta layers that shows a multiple exposure image of a woman staring into the camera, surrounded by grass. 3D image with separate cyan and magenta layers that shows a multiple exposure image of a woman with eyes closed, surrounded by plants.